Thursday, November 28, 2019

Best Babe Didrikson Zaharias Quotes

Best Babe Didrikson Zaharias Quotes Babe Didrikson Zaharias was an outstanding athlete from her early years. She excelled in basketball, track and field, and golf. In track and field, she won medals or established world records in five different events. After winning two gold and one silver medal in the 1932 Olympics at Los Angeles, she played basketball, appeared at major league baseball exhibition games, and finally switched to golf. She married George Zaharias in 1938, and died of cancer in 1956. A favorite with the press, she often did not get along well with other athletes, who resented her aggressiveness and self-promotion. It has been argued that Babe Didrikson Zaharias was the greatest woman athlete ever. Quotations by Babe Didrikson Zaharias All of my life I have always had the urge to do things better than anybody else. You cant win them all- but you can try. I am out to beat everybody in sight, and that is just what Im going to do. You have to play by the rules of golf just as you have to live by the rules of life. Theres no other way. Study the rules so that you wont beat yourself by not knowing something. Before I was in my teens, I knew exactly what I wanted to be: I wanted to be the best athlete who ever lived. Luck? Sure. But only after long practice and only with the ability to think under pressure. The formula for success is simple: practice and concentration then more practice and more concentration. The more you practice, the better. But in any case, practice more than you play. Practice, which some regard as a chore, should be approached as just about the most pleasant recreation ever devised, besides being a necessary part of golf. Its not enough just to swing at the ball. Youve got to loosen your girdle and let er fly. Golf is a game of coordination, rhythm and grace; women have these to a high degree. Good golf is easier to play and far more pleasant than bad golf. I played with boys rather than girls. I preferred baseball, football, foot-racing and jumping with the boys, to hop-scotch and jacks and dolls, which were about the only things girls did. Get toughened up by playing boys games, but dont get tough. Winning has always meant much to me, but winning friends has meant the most. You know when theres a star, like in show business, the star has her name in lights on the marquee! Right? And the star gets the money because the people come to see the star, right? Well, Im the star, and all of you are in the chorus. As long as Im improving, I will go on, and besides, theres too much money in the business to quit. The Babe is here. Whos coming in second? Quotes About Babe Didrikson Zaharias On her gravestone:Â  Babe Didrikson Zaharias, 1911-1956, Worlds Greatest Woman Athlete Grantland Rice (Sportswriter) She is beyond all belief until you finally see her perform. Then you finally understand that you are looking at the most flawless section of muscle harmony, of complete mental and physical coordination, the world of sport has ever seen. Paul Gallico (in Sports Illustrated) It may be another 50 or 75 years before such a performer as Mildred Didrikson Zaharias again enters the lists. For even if some yet unborn games queen matches her talent, versatility, skill, patience and will to practice, along with her flaming competitive spirit, ... there still remains the little matter of courage and character, and in these departments the Babe must be listed with the champions of all times. Betty Dodd (Golfer and Companion of Babe Didrikson Zaharias) I had such admiration for this fabulous person. I never wanted to be away from her even when she was dying of cancer. I loved her. I wouldve done anything for her.

Sunday, November 24, 2019

Delphi DBGrid MultiSelect (Explanation and Example)

Delphi DBGrid MultiSelect (Explanation and Example) Delphis DBGrid is one of the most widely used DB-aware components in database related applications. Its main purpose is to enable your applications users to manipulate records from a dataset in a tabular grid. One of the lesser known features of the DBGrid component is that it can be set to allow multiple row selection. What this means is that your users can have the ability to select multiple records (rows) from the dataset connected to the grid. Allowing Multiple Selections To enable multiple selection, you only need to set the dgMultiSelect element to True in the Options property. When dgMultiSelect is True, users can select multiple rows in a grid using the following techniques: Ctrl Mouse clickShift Arrow keys The selected rows/records are represented as bookmarks and stored in the grids SelectedRows property. Note that SelectedRows is only useful when the Options property is set to True for both dgMultiSelect and dgRowSelect. On the other hand, when using dgRowSelect (when individual cells cannot be selected) the user wont be able to edit records directly through the grid and, and dgEditing is automatically set to False. The SelectedRows property is an object of type TBookmarkList. We can use the SelectedRows property to, for example: Get the number of rows selectedClear the selection (unselect)Delete all the selected recordsCheck whether a particular record is selected To set dgMultiSelect to True, you can either use the Object Inspector at design time or use a command like this at runtime: DBGrid1.Options: DBGrid1.Options [dgMultiSelect]; dgMultiSelect Example A good situation in which to use dgMultiSelect might be when you need an option to select random records or if you need the sum of the values of the selected fields.   The example below uses ADO components (AdoQuery connected to ADOConnection and DBGrid connected to AdoQuery over DataSource) to display the records from a database table in a DBGrid component. The code uses multiple selection to get the sum of the values in the Size field. Use this sample code if you want to select the entire DBGrid: procedure TForm1.btnDoSumClick(Sender: TObject);var i: Integer; sum : Single;beginif DBGrid1.SelectedRows.Count 0 thenbegin sum : 0; with DBGrid1.DataSource.DataSet dobeginfor i : 0 to DBGrid1.SelectedRows.Count-1 dobegin GotoBookmark(Pointer(DBGrid1.SelectedRows.Items[i])); sum: sum AdoQuery1.FieldByName(Size).AsFloat; end; end; edSizeSum.Text : FloatToStr(sum); endend;

Thursday, November 21, 2019

Liquified flesh in edvard munch's paintings Research Paper

Liquified flesh in edvard munch's paintings - Research Paper Example The essay "Liquified flesh in edvard munch's paintings" discovers the art and life of Edvard Munch. In order to understand the ‘liquid flesh’ concept as indicated, there is a need to understand Symbolic artistic style that employed images to convey ideas or experiences. In this regard, symbols were used as signs to communicate a perspective. In symbolism, the artist devised a way of communicating with images while avoiding portraying these images in a naturalistic manner as they appeared to the audience this involved avoiding vanishing points and perspectives in from the painting, and altering the naturalistic colors in avoid any detail that would make the image real. These involved the artist exaggerating, simplifying or applying a new style, and application of unnatural colors to indicate that the images were not real by themselves but were standing in for a certain perspectives. However, The Kiss painting did not amuse Prxybyszewski due to the distortion of images to hide reality and facilitate symbolization of ideas. As such, the The kiss" is repulsive, and that it resembles "liquefied flesh.† Therefore, Munch’s paintings were visual messages that reflected issues in the society, and which expressed his feelings concerning issues affecting him on a daily basis, suggesting that any literal definition of these paintings lost the actual messages that Munch expressed. Prxybyszewski when referring to Munch’s paintings as liquefied flesh and repulsive was reacting to the disorder. involved in the symbolism approach, in communicating ideas and perspectives  through images. As Prelinger explains, the symbolic artist had a view of communicating with images, but the images were not to have any realistic resemblance so as not to blur the message communicated.2 As a result, the artist embraced a tendency to change the images used by simplifying them, exaggerating or distorting the style of painting to ensure the images only communicat ed the intended message. In other words, symbolism artists such as Munch had a tendency of imposing their dominion on the reality to ensure the reality was their servant and not the artists acting as the servant of reality.3 As Prelinger explained, symbolism in this approach only had regard for thoughts and moods and employed reality as symbol. In this case, Prxybyszewski was referring to this alteration in images. In painting â€Å"the kiss,† the two images while kissing are closely fused and are embedded as two people with one head. â€Å"On the rosy frontier, the inner and outer parts of the man meet and exchange their emancipations while thousands of sensitive nerves give and receive the impressions received from the senses.†4 Between man and the women, space has been lost and has merged their heads together forming the symbol of a knotty tree, which makes the lovers seem like to ancient trees.5 The image portrays the togetherness that results from burning passion between a man and a woman such that there is no distance between them as they explore fantasy. Prxybyszewski laments, â€Å"†¦.but the entire passion of the kiss, the horrible power of sexuality, painfully yearning longing the disappearance of the consciousness of the ego†¦. – all this is so honestly experienced that we can accept the repulsive-unusual.†6 Prxybyszewski in this remark portrays the power passion and live experienced between a man and woman such that they were completely merged to one another and with all their consciousness lost. In other